Taking glass as my subject matter, my practice explores the space between sculpture, photography and context and over the last five years has taken two main directions.

Using colour theory, especially additive colour theory, I have revealed how glass art can facilitate our conception of the magical and mundane to shift and take on new meaning in objects. Taking different technologies, for example, a video projector and a glass screen, I explore glass’ interplay with colour and light to reveal what is hidden from our daily interactions with technology.

Experimenting with glass, paper, wood, and smoke. I have sought to navigate the boundaries between perception, recent memory and sense, and to isolate the moment where visual intensity changes from looking to experiencing. Creating large structural installations, I have shown a live photographic image which conveys a sense of immediacy as well as having a transitory and ephemeral dimension.